Showing posts with label Clementine Hunter. Show all posts
Showing posts with label Clementine Hunter. Show all posts

Monday, February 9, 2009

Flowing River in Dixie


As noted in an earlier entry, the Ogden Museum was recently gifted a magnificent painting, Flowing River, by Louisiana folk artist, Clementine Hunter. The 1950 painting is 93 x 28 inches, making it one of the largest known works by this highly regarded artist. In the vintage image of Francois Mignon above, one can glimpse the work above his desk in the Yucca House on Melrose Plantation. This image was found by Tom Whitehead in an October 1957 issue of Dixie Magazine, a now all but forgotten Sunday insert of the Times Picayune. Mr. Whitehead is an author, scholar, collector and friend of the late Clementine Hunter. As an undergraduate at Northwestern State University in Natchitoches from 1964 until 1967, he met Clementine, developed a friendship with her, and began collecting her work. Today his is one of the more important Hunter collections in the world, and he is widely recognized as a leading scholar on Hunter, her works, and the community of Cane River. He was instrumental in establishing the Cane River Creole National Historical Park and the Cane River National Heritage Area in the 1990s. He co-authored, with Art Shiver, Clementine Hunter: The Africa House Murals in 2005, and is currently working with Mr. Shiver on a biography of the artist.

Saturday, January 3, 2009

Sneak Peek: Clementine Hunter




The Ogden Museum of Southern Art will unveil Clementine Hunter's Cotton to Gin and Baptism to the public on January 15, 2009. This painting is unique in the Clementine Hunter oeuvre due to its being painted on verso, its rare color palette, and the sheer scale of the thing (over four feet square). Recto shows a cotton-to-gin scene typical of Clementine's style, with a rather lush sunset. Verso is surprising, though, with its unique color palette of vivid yellows, pinks, reds, and grays. Having no evidence to support a theory that the work was commissioned two-sided for a patron, we must assume that the work was painted on verso out of need for materials. Much like George Andrews, Clementine painted on almost anything, including window shades and trash cans. See this work and others by Clementine Hunter in our upcoming show, Recent Acquisitions. Photos by Richard McCabe.